Rosie is interested in the cultural politics of emotion (Ahmed), and how this is engineered through soft power, saturnalia and ritual. 

She makes sculptures, costume and installations which sometimes take on the role of companions, co-conspirators and support structures (Condorelli, Wade) and sometimes as process based explorations of the relationship between material and immaterial: the moment where the mask slips off reality-as-we-think-we-know-it and the potential within this for transformation.

She repurposes discarded materials found in bins, at car boots and markets etc. Beads are a material she returns to for their seductive optics and relationships with feminised craft labour, spiritual practice and currency. She also works with glass, wood and found objects. 

She welcomes collaboration, and has worked with practitioners across disciplines such as photography, sound, performance, film and permaculture.

Past work has been supported by institutions including Scottish Sculpture Workshop (Aberdeen), Kunstraum Kreuzberg (Berlin), The Royal Academy (London), Red Gallery (London), Glastonbury Festival (Somerset), Modern Art Oxford, Ovada (Oxford), Fusion Arts Oxford (Oxford), Arts Council England and A-N. 

She began the MFA in Sculpture at the Slade in October 2025.